Acton gets his "Freek" on at Atlantic Theater Company
An Off-Broadway Theatre Review: ATC's A Freeky Introduction By Acton We duck under a curtain and cross the threshold to find a DJ (DJ Monday Blue) beckoning us in, filling the room with rhyt…
An Off-Broadway Theatre Review: ATC's A Freeky Introduction By Acton We duck under a curtain and cross the threshold to find a DJ (DJ Monday Blue) beckoning us in, filling the room with rhyt…
The Place, London The Yorkshire-born dance artist concludes his social historical trilogy on the Thatcher era by celebrating resistance to homophobia Gary Clarke grew up in a Yorkshire minin…
Daaboul, founder of Tour de Force Productions, finally steps into the shoes of May in Sam Shepard's American classic of ill-fated love on the edge of the Mojave Desert.
BUZZARDS, BOOTY, AND BECOMING NSangou Njikam's A Freeky Introduction soars with swagger, satire, and sacred disruption. "An eagle was born in a nest of buzzards," proclaimed playwright and p…
"Celebrating its 79th year at the 92Y's Kaufmann Concert Hall, the Limón Dance Company continues to captivate audiences with a striking blend of physical vibrance and emotional depth." Ch…
Joint artistic directors Daniel Evans and Tamara Harvey say 2025/26 programme is celebration of 'a 21st-century RSC' Adrian Lester transforming into Cyrano de Bergerac, Alfred Enoch taking o…
Rehearsals are officially underway for JOY: A New True Musical, based on the life of trailblazing businesswoman and inventor Joy Mangano. Playing Joy herself is Tony Award nominee Betsy Wolf…
[Full article published in Quill Magazine June 3, 2025.] On June 7, CNN will be broadcasting, live from Broadway, "Good Night, and Good Luck," a play written by and starring […]
The Royal Shakespeare Company is betting big on star power and global reach with its 2025/26 season, headlined by "Outlander" heartthrob Sam Heughan making his RSC debut in "Macbeth" and Oli…
Takoma Park, MD " Flapjack Theatrics is a theatre (etc!) company with a unique model. It's a one-ADHD-woman venture, but almost every project involves a small number of very close collaborat…
There is a monster inside all of us. The choices we make and the people we touch determine whether or not it comes to the surface. Monsters aren't born, they are a product of individual deci…
NOT THE MONSTER YOU EXPECT: VICTOR FRANKENSTEIN IS THE VILLAIN Based on Mary Shelley's iconic novel, a bold retelling of Frankenstein opened last night at STC's Klein Theater in Washington D…
"American Idol" finalist Ta-Tynisa Wilson stars in lead role Saturday June 7 " Sunday, June 22. In addition to Wilson, the principal cast includes Gabriell Salgado as "Frank Farmer" and Di…
The album will feature performances by Kevin Chamberlain, Marcus Martin, Ashlyn Maddox, Nadina Hassan, Fergie L. Philippe, Khailah Johnson, Cara Rose DiPietro, and Alyssa Payne.
Matthew "Matt" Silver, a cherished figure in the American theater scene and a longtime ensemble member of the Atlantic Theater Company, passed away peacefully at home in New York City on May…
A FORGOTTEN CHAMPION RECLAIMED Rehearsal for Truth International Theater Festival, an annual showcase of contemporary European theater, is unfolding under the banner of Perseverance at Bohem…
This stage adaptation of the classic story about an ordinary man plunged into the life of a spy fleeing across the Scottish Highlands gets an inventive and hilarious production at the Lanter…
CHARMING AND CHILLING If villains get the best songs, Erik Scott Romney proves they might also give the most captivating performances. In his solo cabaret Broadway's Bad Guys!, which ran at …
Delicate performances, including a star turn from Midori Francis, elevate this obvious play. Nicole Serratore reviews. The post Review: Bus Stop at Classic Stage Company appeared first on E…
From Cabaret to Shrek, Eric Scott Romney has played them all. Now, he's bringing his one-man show Broadway's Bad Guys to the Revolution Stage ...
The post Sydney Theatre Company announces the 25th Patrick White Playwrights Award and Fellowship appeared first on Australian Arts Review.