"The Burnt Part Boys" is a warm-spirited and family-friendly but dramatically static new show about the surviving sons of a coal miner killed in a mining accident.
Actors' Alchemy, From Raw Script to Final Bow by A. O. SCOTT
The director Michael Almereyda has come up with a fascinating, discursive essay on the boggy, twisty road that lies between experience and art.
With its official opening repeatedly delayed, critics plan to break with protocol and review the Spider-Man musical before press night. We sneaked a seat…
Happiness at the Lincoln Center Festival; "Blueprint Series" at St. Marks Theatre
When a play starts an 18-city tour, it's the responsibility of the critics in the first venue to offer everyone involved some constructive suggestions. Legends! (which officially opened to the media last night after four weeks of previews) is no exception.
So here's my advice, dudes: close it down and take the tax loss.
Benjamin Davis's debut, "Silverland" - an environmentally, if not dramatically, aware, play - is one of the first dramas I've seen that could be called green theater.
The management of the Detroit Symphony Orchestra is grappling with a nine-million-dollar budget shortfall by proposing to cut musicians' salaries...
The 1900 flood in Galveston, Tex. , is the subject of Ain Gordon's smart, hourlong show.
Well, the major critics haven't gone in yet but now the Toronto Star is the latest paper to break the gentleman's agreement of holding reviews until after the official opening, an agreement …
Chicago isn't always city that works, as play hammers home
Veanne Cox stars in Ain Gordon's fresh and unvarnished account of the Galveston Flood of 1900
The premise of Trish Harnetiaux's play is exciting. The challenge is for the words and characters to be that way, too.