I've never held back when it comes to talking about sex. But after an attack while on holiday in Las Vegas, going to the police didn't feel like an option
Last November, after a string of re…
At one point in Theatre Y's ambulatory Laughing Song: A Walking Dream, Marvin Tate as George W. Johnson (the first Black American recording artist) is asked by a reporter at a press conferen…
I scarcely know anything about actor Philip Wood (1895-1940) apart from his credits, but those are enough to intrigue, and I am quite convinced that if he hadn't been felled by a heart attac…
When her family's code of silence was broken, the writer and performer Helen Wood began a journey that led to a new play, Let's Talk About Philip
In the summer of 1985 Philip, my only siblin…
"The Rise and Fall, then Brief and Modest Rise Followed by a Relative Fall of…Jean Claude Van Damme as Gleaned by a Single Reading of His Wikipedia Page Months Earlier" is the brobdinagian…
Our writer checked out two very different experiences in New York. In Netflix's TV re-creation, you fight Demogorgons. In "Cascando," you walk off your existential angst.
VIA MEDIA ANGLICANA IN A NEW JERUSALEM    We're in a vicarage kitchen in a small West Country town, its incumbent dealing with parishioners, a resentful, weary wife and t…
Robert Icke is a Shakespeare purist, which is not to say that his actors will turn up in codpieces and rosettes, rapping pentameter over an underscore of viol and lute. In fact, it seems tha…
An oral history of the legendary 1972 Toronto production of "Godspell," which featured Martin Short, Eugene Levy, Gilda Radner, Andrea Martin, Victor Garber and Paul Shaffer.
Alyssa May Gold recently made her Broadway debut alongside Mary-Louise Parker and David Morse in the long-anticipated Broadway premiere of How I Learned To Drive. She was previously seen in …
The race for this year's Emmy for Best Narrator just got its highest-profile potential nominee. Former President Barack Obama could very well win this category for his voice-over work in Net…
By VIKTOR VILISOV. Russian theatremaker Viktor Vilisov details the rapidly dwindling infrastructure for free expression in Russian culture in a time of war.
"I just wanted to offer something of what I'd learned," says the director, writer and artistic director about "Other People," playing at Canadian Stage.