Review: King Lear at The Crucible Theatre, Sheffield
Review: King Lear at The Crucible Theatre, Sheffield "King Lear is a triumph" The post Review: King Lear at The Crucible Theatre, Sheffield appeared first on Theatre Weekly.
Review: King Lear at The Crucible Theatre, Sheffield "King Lear is a triumph" The post Review: King Lear at The Crucible Theatre, Sheffield appeared first on Theatre Weekly.
Sheffield Theatres has announced the full company of actors for its ambitious Shakespeare season at the Crucible The post Full Cast Announced for Shakespeare Season at Sheffield Theatres’ …
Regional " West Palm Beach, FL: Palm Beach Dramaworks: 201 Clematis Street. April 3-April 19, 2026. Drama. Author: Arthur Miller. Director: William Hayes. 3 hrs. 15 min. Critic: Aaron Krause…
For better or for worse, 2026 is a hell of a time to find myself tasked with reviewing The Crucible. To start with, I can easily say that I was thoroughly impressed by the precision,…
Fear becomes tactile in Palm Beach Dramaworks' shattering The Crucible because the nightmare on display is as much a mirror of our times as a tale of the witchcraft purge in 1692 Salem. The …
The Washington National Opera's commemoration of America's semi-quincentennial continues with its production of one of the most accessible and enduring American operas of the 20th century"th…
Washington National Opera has released a first look video of THE CRUCIBLE, running March 21 through March 29, 2026 at Lisner Auditorium in Washington, D.C. Watch the video below. Directed…
Interview: From the National Theatre to Netflix, we chat to Gracie McGonigal about Into The Woods, The Little Big Things, Bridgerton, and a fast‑rising career The post Interview: From…
Omar Epps struggles to grant this gangland Chicago religious drama divine quality.
Many of us were first introduced to Arthur Miller's "The Crucible" in school. The play depicts the Salem Witch Trials in Massachusetts at the end of the 17th century. After Reverend Samuel P…
By ALAN SMASON, WYES-TV Theatre Critic ("Steppin' Out") When Arthur Miller debuted The Crucible in 1953, the nation was emerging from the dark and sinister times of accusations and recrimina…
See how these high schools reimagined Arthur Miller's classic play.
Director Ola Ince brings the febrile atmosphere of the Salem witch trials to Shakespeare's Globe
Playwright Kimberly Belflower and director Danya Taymor reveal how the Tony-nominated play 'John Proctor Is the Villain' made it to Broadway, with help from 'Stranger Things' star Sadie Sink…
Ince's fidelity to the language allows every nuance to be exposed A society ruled by hysteria. Lurid lies that carry more currency than reality. There's no shortage of reasons that Arthur Mi…
Shakespeare's Globe, LondonDirector Ola Ince brings absurdist comedy to Arthur Miller's classic drama of Salem witch-hunting, now told partly through song There is never a time when Arthur M…
"I hadn't read it since college," says playwright Kimberly Belflower of Arthur Miller's iconic play The Crucible. She drew inspiration for John Proctor Is the Villain from that 1953 drama an…
While non-white presence on Broadway has faltered, London's stages are having a Black renaissance
What's behind all the revivals of the shocking parable about terrifying McCarthyism in 1950s America? Our writer reflects on how, through the decades, each fresh production finds new meaning…
'John Proctor Is the Villain' Review: Reconceiving 'The Crucible' on Broadway · Kimberly Belflower's smart, stimulating play follows a group of modern ...
The "Stranger Things" star returns to the stage in yet another play about white male toxicity, this one from Kimberly Belflower.
But the lively, moralistic new show starring Sadie Sink ("Stranger Things") on Broadway undermines Miller's 1953 view of the world by applying ...
Sadie Sink of "Stranger Things" commands attention in the Broadway premiere of "John Proctor Is the Villain."