Edinburgh Playhouse; Royal Opera House, LondonHelen Pickett's inspired new reworking of an American classic is a keeper. And the Bolshoi's comic turns on a collective farm prove irresistible…
Edinburgh PlayhouseMomentous dance and strong performances make Helen Pickett's canny reworking of the story a gift of a show Choreographer Helen Pickett's clever reinvention of The Crucible…
It's sad to note that Arthur Miller's 1953 conflation of the Salem witch trials and the McCarthy hearings of the playwright's own
Artistic Director Eric Tucker will direct the limited engagement.
It was hard to envisage how any theatremaker could possibly do justice to Yann Martel's Booker-winning multimillion-selling novel about a boy named
While other shows in Elizabeth Newman's inaugural repertory season have emphasised nostalgic musical theatre and light comedy, Newman's only entirely self-directed piece
The actor Tom Espiner chatted to LLLC's Emma Clarendon about being part of bringing Yann Martel's novel to the stage.
Here's how the play's director responded to a mild backlash: "All I was doing was trying to put on a show. … It's a community theater and the community of people that showed up to audition…
Two plays set in schools get mixed results.
An inspired version of The Crucible as a warning from history and a modern day parable " Caoilfhionn Dunne is outstanding as John Proctor.
It's a small doll, nothing fancy, fashioned in a courtroom to pass the long hours between denunciations. The young servant girl Mary Warren brings it home to the Proctors, gives it to the mi…
The Yard Theatre presents a modern production of Arthur Miller's The Crucible. Directed by Jay Miller, this new interpretation of The Crucible begins as a storytelling.
It's easy to assume that large subsidised venues have it made, but former Sheffield Crucible associate director Javaad Alipoor says true collaboration
Despite a three-hour running time, this production of The Crucible is pacy and tense enough to be completely enthralling. Thanks to the power of the play itself, some interesting creative de…
      by Samuel L. Leiter  A few months ago, I asked my friend Richard, house manager of Second Stage's Helen Hayes Theater, what was next on the venue's agenda. …
Review: The Crucible, The Yard Theatre4.0starsLike many people of younger generations, I first became aware of Arthur Miller's 1953 play, The Crucible, when I studied it for GCSE drama. Gett…
The Yard, LondonJay Miller's reworking of Arthur Miller's classic delivers tender chemistry, clever characters and a female John Proctor, but its quest for novelty loses focus Arthur Miller'…
Over recent years The Yard has developed a reputation for staging bold and pretty out there productions, usually boding well with audiences and generating a definite buzz about the space.
London's mini-season of Miller rolls on apace. After high profile revivals of The Price and The American Clock comes something slightly smaller
Arthur Miller's possession drama staged for spectacle The Crucible is a play that speaks with unrelenting power at times of discord, most of all when the public consciousness looks ripe for …
Robert Lonsdale spoke to Love London Love Culture's Emma Clarendon about his latest role in Standing at the Sky's Edge at the Crucible Theatre in Sheffield.
Sheffield's Richard Hawley-based musical is a spectacular piece of theatre that is full of humour and love - without dodging difficult social issues.
Park Hill flats have stood over Sheffield for nearly 60 years, as much a part of the city's history as steel, snooker
Chris Bush is an award-winning British playwright. Previous projects includeTONY The Blair Musical, PericlesandThe Assassination of Katie Hopkins.She speaks to BroadwayWorld about her newest…