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The Notebook

Gerald Schoenfeld Theatre

Previews February 10, 2024
Opening March 14, 2024
Closing December 15, 2024

Box Office

$31,820,672 total gross 45 weeks best week $1,094,299 (Dec 15, 2024)
Weekly gross — full run
$0 $500K $1M $1.5M Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
Feb 11, 2024Dec 15, 2024
Grosses provided by The Broadway League. For additional The Notebook grosses, see broadwaywrap.com.

Articles about The Notebook

1,204 articles · page 29 of 49

CRITIC'S NOTEBOOK

Hip-Hop's Distinct Voice Is Reshaping Theater by BRUCE WEBER
Hip-hop is still on the fringe of the stage universe, but there are signs that it is beginning to turn the battleship of American mainstream theater.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Theaters' Names Lose Their Luster By CHARLES ISHERWOOD
Theater lovers can only be dismayed by the news that the Shubert Organization will rename two of its Broadway theaters after two of its executives.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Other Voices, Other Lives From Solo Conjurers by BRUCE WEBER
In their current New York shows, the actors Heather Woodbury and Michael Isaac Connor explore the full range of the solo form.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Competition may kick-start a finer art By Louise Kennedy
The Rockettes are coming! The Rockettes are coming!

SOURCE: Boston Globe at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Pulitzer Board Expands Its Musical Horizons by ANTHONY TOMMASINI
The move to broaden the category for the Pulitzer prize for music is sure to win plaudits in Hollywood and Broadway while provoking criticism among the more traditional composers.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Strange Languages Convey More Than Mere Words By MARGO JEFFERSON
The theatrical vision of "K. I. From 'Crime,' " performed in Russian by the Foundry Theater, turns a foreign language into a form of music.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

So What Impact Will Art Centers at Ground Zero Have (if Any)? by JOHN ROCKWELL
The centers that were chosen for the site were picked because they represent a canny mix of institutions likely to make downtown a better place to live and do business.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

On the Home Front, the Personal Becomes Theatrical (and Political, Too) By MARGO JEFFERSON
Two new plays take different routes to what Arthur Miller so beautifully called the radical politics of the spirit.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Onstage, the War Never Ends as Playwrights Pose Questions of Responsibility and Guilt By EDWARD ROTHSTEIN
Three plays examine the legacy of forced prostitution in Japan during World War II.

SOURCE: theater2.nytimes.com at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Unabashed Stars Break the Shackles of the Name Game by VIRGINIA HEFFERNAN
Article on actors who do - or don't - change their names. Includes quotes from Ilana Levine ("You're a Good Man, Charlie Brown.")

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015
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