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The Notebook

Gerald Schoenfeld Theatre

Previews February 10, 2024
Opening March 14, 2024
Closing December 15, 2024

Box Office

$31,820,672 total gross 45 weeks best week $1,094,299 (Dec 15, 2024)
Weekly gross — full run
$0 $500K $1M $1.5M Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
Feb 11, 2024Dec 15, 2024
Grosses provided by The Broadway League. For additional The Notebook grosses, see broadwaywrap.com.

Articles about The Notebook

1,204 articles · page 34 of 49

CRITIC'S NOTEBOOK

The Wooster Group: An Ensemble Tailor-Made for an Age of Anxiety By BEN BRANTLEY
The Wooster Group's "House/Lights" seems like one crazy, exotic head trip, until you notice its resemblence to daily life in the 21st century.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Serving Up Giddiness in London's Silly Season By BEN BRANTLEY
The early days of winter in the London theater scene have brought a wave of panto productions featuring balmy songs, bad puns and cross-dressers.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

A Shrew and Her Tamer: Two Views, One Famous by BRUCE WEBER
Gregory Doran directs the inspired coupling of "The Taming of the Shrew" and "The Tamer Tamed" with extravagant comic flair at the Kennedy Center in Washington.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Words to the Wise Performance Artist: Get Help. Collaborate. Grow. By MARGO JEFFERSON
Most performers don't see the need to collaborate, but joining with complementary talents expands horizons and makes the work stronger.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Puppets Mine Unexpected Emotional Territory by BEN BRANTLEY
Basil Twist's custom-made puppets get under your skin in Paula Vogel's ritualistic new drama by the Trinity Repertory Company.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Soul of Old Is Breaking Out All Over by ELVIS MITCHELL
A new film documenting the history of soul music is part of a larger revival of interest in the genre.
Includes "The Jackie Wilson Story."

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Pardon Me, Sir, but Your Auricular Instrument Is Flat by ANTHONY TOMMASINI
How to handle the delicate situation of having to tell a hard-of-hearing member of the audience to turn down the hearing aid.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

NOTEBOOK

No more odd duck BY DOMINIC P. PAPATOLA
The very idea of gay theater has become - if you'll pardon the expression - kind of a queer one.

SOURCE: Newsday Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

When a Book's Epilogue Is Created on the Stage by MARGO JEFFERSON
Two plays based on classic stories lure us into the eternal present of performance while keeping us grounded in literary and cultural history.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

The Public Faces Life Without Its Dynamo by BEN BRANTLEY
The director George C. Wolfe has had a significant hand in almost every memorable production at the Public Theater in the last ten years.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

THEATER NOTEBOOK

Rock the Cradle? Let's Rock the World by NEIL GENZLINGER
Two currently running plays, "The Ladies" and "Summit Conference" are both well-acted tales of the consequences of women in power.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

CRITIC'S NOTEBOOK

Cabaret, the Champagne of New York by STEPHEN HOLDEN
In terms of bang for the buck, a great cabaret performance provides a more transporting emotional experience than a brassy Broadway musical.

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015
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