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The Notebook

Gerald Schoenfeld Theatre

Previews February 10, 2024

Opening March 14, 2024

Closing December 15, 2024

Official Site · IBDB

Box Office

$31,820,672 total gross 45 weeks best week $1,094,299 (Dec 15, 2024)

Weekly gross — full run

Feb 11, 2024Dec 15, 2024

Grosses provided by The Broadway League. For additional The Notebook grosses, see broadwaywrap.com.

Articles about The Notebook

1,206 articles · page 48 of 49

Critic's Notebook: Tale of the Iraq War, Still Resonating by Ben Brantley

"Black Watch," a group portrait of Scottish soldiers in Iraq that was first seen here in 2007, returns to St. Ann's Warehouse in Brooklyn.

SOURCE: The New York Times Subscription at 6:56pm on April 22, 2011☆⚑

Critic's Notebook: From Belarus, Dynamic Drama With Limited Means by Ben Brantley

The Belarus Free Theater, now performing three plays in repertory at La MaMa, should be seen by everyone who wants confirmation of the continuing relevance and vitality of theater.

SOURCE: The New York Times Subscription at 7:52pm on April 18, 2011☆⚑

Critic's Notebook: Opera plugs in to the high-tech

Visual spectacle gains new ground amid a high-def push onto movie theaters and mavericks like Tod Machover and Trimpin conjuring up bold new visions.When Opera America holds its annual confe…

SOURCE: Los Angeles Times at 1:00am on April 17, 2011☆⚑

Critic's Notebook: Louisville Dreaming: Characters Exploring Boundaries by Charles Isherwood

The Humana Festival of New American Plays presented works whose characters are searching for new experiences.

SOURCE: The New York Times Subscription at 5:55pm on April 4, 2011☆⚑

Critic's Notebook: Her Sequins, Plumes and Foghorn Voice by Ben Brantley

Harvey Fierstein joins the cast of "La Cage aux Folles" at the Longacre Theater.

SOURCE: The New York Times Subscription at 6:30pm on March 28, 2011☆⚑

Critic's Notebook: 'Frankenstein' is endlessly, frighteningly relevant

Danny Boyle's production of 'Frankenstein,' seen via NT Live, has special relevance given our current crises.Entering the Downtown Independent near Little Tokyo on Thursday for the National …

SOURCE: feeds.latimes.com at 1:00am on March 19, 2011☆⚑

Critic's Notebook: 'Frankenstein' is endlessly, frighteningly relevant by Charles McNulty

Danny Boyle's production of 'Frankenstein,' seen via NT Live, has special relevance given our current crises.

SOURCE: Los Angeles Times at 12:18am on March 19, 2011☆⚑

Critic's Notebook: Drama Revived by the Kindness of Strangeness by Claudia La Rocco

The Wooster Group's new production of Tennessee Williams's 1977 play "Vieux Carré" draws from various influences, including Chinese opera, the films of Paul Morrissey and the videos of Ryan…

SOURCE: The New York Times Subscription at 6:05pm on February 20, 2011☆⚑

CSC Hosts Reading of THE NOTEBOOK OF TRIGORIN Starring Alan Cumming, 2/13

Classic Stage Company CSC, under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present Tony Award winning actor Alan Cumming in a one night o…

SOURCE: BroadwayWorld at 5:00am on February 13, 2011☆⚑

CSC Hosts Reading of THE NOTEBOOK OF TRIGORIN Starring Alan Cumming

Classic Stage Company CSC, under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present Tony Award winning actor Alan Cumming in a one night o…

SOURCE: BroadwayWorld at 11:20am on February 2, 2011☆⚑

Alan Cumming to Star in Staged Reading of The Notebook of Trigorin at CSC

Tony Award winner Alan Cumming will star in a staged reading of Tennessee Williams' The Notebook of Trigorin, to be presented by Classic Stage Company on Sunday, February 13, at 7pm. A…

SOURCE: TheaterMania at 10:49am on February 2, 2011☆⚑

Critic's Notebook: Rocking the Cradle of Experimental Theater by Ben Brantley

La Mama, the East Village theater Ellen Stewart created and led, is not a 1960s relic; it continues to produce unexpected and even prophetic art.

SOURCE: The New York Times Subscription at 6:30pm on January 13, 2011☆⚑

Critic's Notebook: Going Under the Radar, and Into the Unknown by Jason Zinoman

The Public Theater's annual festival of adventurous new works stretches theatrical forms and the imagination.

SOURCE: The New York Times Subscription at 6:53pm on January 11, 2011☆⚑

Critic's Notebook: 'Idiot' Welcomes Back a Bad Influence by Charles Isherwood

Billie Joe Armstrong, the Green Day frontman, brings a jolt of rock-god electricity to the Broadway musical "American Idiot."

SOURCE: The New York Times Subscription at 6:32pm on January 9, 2011☆⚑

Critic's Notebook: It's Date Night, and the Audience Is Watching by Neil Genzlinger

Two dating-themed shows, "Miss Abigail's Guide to Dating, Mating and Marriage" and "Blind Date," require participation by the willing and almost-willing.

SOURCE: The New York Times Subscription at 5:13pm on December 14, 2010☆⚑

Critic's Notebook: David Wojnarowicz's 'A Fire in My Belly' by Holland Cotter

That "A Fire in My Belly" is about spirituality, and about AIDS, is beyond doubt.

SOURCE: The New York Times Subscription at 2:54pm on December 9, 2010☆⚑

Critic's Notebook: When News Events Are Retold Onstage by Jason Zinoman

As shows by troupes like the Civilians inch closer to journalism, questions are raised about their responsibility to journalistic standards.

SOURCE: The New York Times Subscription at 7:42pm on December 7, 2010☆⚑

Critic's Notebook: A Play's Miners Dig for the Meaning Behind Their Art by Roberta Smith

If you love painting or think you could, consider seeing "The Pitmen Painters," the British play by Lee Hall that the Manhattan Theater Club is presenting on Broadway.

SOURCE: The New York Times Subscription at 5:30pm on November 24, 2010☆⚑

Critic's Notebook: In Boston, Listening to a Young Playwright Adept at Silence by Ben Brantley

Annie Baker's distinctively bittersweet sounds of silence are echoing throughout the Boston Center for the Arts, where three of her plays are being performed, with considerable skill and aff…

SOURCE: The New York Times Subscription at 4:40am on November 12, 2010☆⚑

CRITIC'S NOTEBOOK: Joy and Blues in Florida's Piney Woods by BRUCE WEBER

Zora Neale Hurston's "Polk County" has been cut, shaped and wrestled into an uproariously gladdening production at the Arena Stage in Washington.

SOURCE: The New York Times Subscription at 12:00am on April 25, 2002☆⚑

CRITIC'S NOTEBOOK: Joy and Blues in Florida's Piney Woods by BRUCE WEBER

Zora Neale Hurston's "Polk County" has been cut, shaped and wrestled into an uproariously gladdening production at the Arena Stage in Washington.

SOURCE: The New York Times Subscription at 12:00am on April 25, 2002☆⚑

Critic's Notebook: Even the Doughboy Gets Burned at This Bake-Off

SOURCE: The New York Times Subscription at 12:00am on April 10, 2002☆⚑

CRITIC'S NOTEBOOK

All-Black Casts for 'Porgy'? That Ain't Necessarily So
By ANTHONY TOMMASINI
Perhaps the time has come for the Gershwin estate to end its casting directive that "Porgy and Bess" be performed by an all-black cast.

SOURCE: The New York Times Subscription at 12:00am on March 20, 2002☆⚑

CRITIC'S NOTEBOOK

A Revival for a Playwright Who's Funny and Upsetting by BEN BRANTLEY
In his mid-70's, Peter Nichols feels like the freshest thing on the boards in the London theater.

SOURCE: The New York Times Subscription at 12:00am on February 14, 2002☆⚑

Critic's Notebook: Resonance From the Violent, Unsettled World of 80 Years Ago

SOURCE: The New York Times Subscription at 12:00am on January 18, 2002☆⚑

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