"The Women of Padilla" is a very well-written play, a realization I came to while reading it a couple days after seeing it at Two River Theater. If ever a play was suited for Two River's int…
By Miranda Lakerveld. In this second installment, opera director Miranda Lakerveld discusses opera Requiem for a River, which is about the Euphrates River and fuses sacred texts and traditio…
Classic American values of friendship, tolerance, freedom and a sense of subversive independence are lovingly and joyously resurrected in Slow Burn Theatre Company's Big River, a revival-lik…
After playing to sold-out audiences around the country and unanimous critical acclaim, multi-award winning play The Secret River has continued its extraordinary success at the 2017 Adelaide …
Tradition has it that Queen Elizabeth, enamored of Falstaff from Shakespeare's Henry IV plays, asked the playwright for a play depicting the character in love (a likely apocryphal 'alter…
Amid the commotion over the New York Times review of the Encores! revival of Big River revolving around context and criticism, the nonprofit Literary Managers and Dramaturgs of t…
From the towering stone backdrop to the flitting dragonflies at sunset, the tragic story of European invasion is heightened by the elements The abandoned Anstey Hill quarry is one of several…
Two-and-a-half years ago, Dance Informa spoke with (then) up-and-coming convention teacher and choreographer Andrew Winghart about his process and future goals. Since then, Winghart won F…
After sell-out seasons around Australia and unanimous critical acclaim, The Secret River, Neil Armfield's landmark theatrical Sydney Theatre Company production, will make its Adelaide deb…
EXCLUSIVE: Deadline theater critic Jeremy Gerard and Jujamcyn Theatres president Jordan Roth discuss the hottest topics on the Rialto, the only precondition being: no holds barred.
JEREMY G…
