Articles about Richard III
982 articles · page 32 of 40
Metachroma presents a murderous, mad Richard IIIby Rebecca UgoliniA production of Richard III is an ambitious project to undertake for any theatre company, let alone one presenting its inaug…
Over 2000 on-stage seats and a final extra week of performances have been released on sale for the West End transfer of the Globe's all-male productions of Richard III and Twelfth Night at t…
The discovery of a skeleton under a Leicester car park has reignited interest in the maligned monarchTo the headline writers, he's become "the king in the car park". To Shakespeare, he was t…
A roundup of your reviews and thoughts on the performances you've seen in the last seven daysSomething of a Twitter revolution has taken place " well, revolution may be over-egging things a …
The Public Theater's Mobile Shakespeare Unit production of Richard III concludes its three-week run Aug. 25 at 7 PM at the Off-Broadway company's downtown Lafayette Street home.
By Judd Hollander
Hypocrisy, thy name is Richard, a truism quickly proved in the absolutely brilliant production of William Shakespeare's Richard III at the Public Theater. Presented by t…
Are critics discontent with "Richard III"?
"Good lords, make all the speedy haste you may," says Prince Edward in Shakespeare's Richard III.
That's just what the The Public Theater has done with the play itself, employing an adaptati…
Following a free, city-wide tour, the Public Theater's Mobile Shakespeare Unit production of Richard III began a three-week run Aug. 6 at the Off-Broadway company's downtown Lafayett…
The Public Theater's Mobile Shakespeare Unit is back home with its abbreviated production of "Richard III," with a nine-person cast that stars Ron Cephas Jones.
Public Theater's mobile branch brings the Bard to Paterson
Hand-written in dark letters on a king-size sheet, a family tree looms large in a new production of "Richard III."
You may have walked around New York, but have you ever walked on a York? Or had your heel scrape a Lancaster?
Ron Cephas Jones leads an excellent cast in the Public Theater's speedily-performed and effective production of Shakespeare's play.
The Mobile Shakespeare Unit's 90-minute condensation of Shakespeare's "Richard III," at the Public Theater, has Ron Cephas Jones as the murdering monarch.
Barry Edelstein, director of the Shakespeare Initiative for the Public Theater, talks about the Mobile Shakespeare Unit, which presents Shakespeare for free to prisons, homeless shelters, ce…
A big challenge for the show is the less-than-ideal acoustics of Austin Gardens. Competing with planes, cicadas and the occasional siren, the cast is forced to deliver most of the text at to…
The Mobile Shakespeare Unit brings the Bard to unlikely places Richard III might hit you differently if you’re a prisoner, watching the violence unfold just a few feet from your cell. …
Following a free, city-wide tour, the Public Theater's Mobile Shakespeare Unit production of Richard III begins a three-week run Aug. 6 at the Off-Broadway company's downtown Lafayet…
West End Review, Pt2, around town: A Doll's House (Young Vic), Richard III (Shakespeare's Globe), Birthday (Royal Court). David Benedict (Variety) and guests, Dominic Cavendish (Telegraph),…
The Public Theater Artistic Director Oskar Eustis Executive Director Patrick Willingham will begin previews on Monday, August 6 for The Mobile Shakespeare Units RICHARD III, directed by Aman…
Globe; Lyttelton; National; LondonThis is an extraordinary period in the theatre. Within 10 days Britain's two most captivating Shakespearean interpreters have taken to the stage to recreate…
It's seven years since the former artistic director of the Globe strutted on its stage, but Mark Rylance is back " as Richard III, an obvious heir to Jerusalem's Johnny "Rooster" Byron. Here…
Returning to the Globe is its first Artistic Director, Mark Rylance, as the "bottled spider." Hs version of the monarch is an affable spider without much bottle, so self effacing is his perf…
Mark Rylance's Richard of Gloucester in Tim Carroll's 'original practices' production is a deadpan, grim comedian, writes Ian Shuttleworth
