MAY HOWARDS END NEVER END "Only connect..! Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer." Seldom h…
A former producer of Yiddish Fiddler recalls his quarter-century friendship with the late legend---A Fiddler on the Roof in Yiddish -- sounds crazy, no? No crazier than the story of how I, a…
Laced with one-liners and wisecracks, the one-woman show has resonated with audiences in the UK, and Thomas hopes her New York debut will encourage conversations about mental health.
Morgan James and Ellyn Marie Marsh present 'Gettin Peggy Wit It'! Peggy came to Broadway to roast the soon-to-close shows, including Be More Chill, The Prom, Pretty Woman, The Cher Show, and…
Pleasance Dome, Edinburgh Kathy Burke directs Amy Booth-Steel's feelgood, if cliched, chronicle of cancer and PTSD Five years ago, Amy Booth-Steel was a jobbing actor, when she was diagnosed…
The Dancehouse, ManchesterTrajal Harrell's thrilling take on Cat on a Hot Tin Roof stands apart at the Manchester international festival " but more is less elsewhere Sometimes you see a danc…
Tabard hears complaints on almost a daily basis of pesky audience members interrupting performances with their mobile phones. Andrew Scott has previously
Creatures with the kind of quick wicked wit you only wish you had, the kind who rarely let pass the opportunity for a pithy exit line, populate Rich Orloff's Veronica's Position in Island Ci…
King's Head theatre, LondonKnown for her sharp tongue and love affairs, the eccentric Australian actor is celebrated in this entertaining one-woman show If the title is outrageous, so was th…
DÉJÀ VU VS. NEVERMORE A very prolific playwright, Steven Dietz can deliver dense dramatic homage. In his 2013 Mad Beat Hip & Gone, now playing at The Edge Theater Off Broadway…
On the one hand, you might consider Little Death Club as just another late night cabaret show, but on experiencing this extraordinary hour, you see that it really is more than that, somethin…
In adapting Harper Lee's To Kill a Mockingbird for the stage, award-winning scribe Aaron Sorkin looked at the iconic characters of the recently named "best-loved" American novel with f…
CAN LOVE ENABLE EVIL? There is no last supper or cross on Golgotha but, yes, Hannah and Martin is a true passion play. What makes this even stranger is that it's as much about clashing…
Is Joshua Harmon's new play a deliberate provocation to progressives or a hypocritical use of his platform? Yes.
Do we all enjoy an exemption from moral, unselfish behavior when it comes to fighting for our own kids? It might seem we've decided otherwise " look at the righteous scorn heaped upon those …
The 20th anniversary of the mass school shooting at Columbine High School on April 20, 1999 in Littleton, Colorado, will be on closing night for columbinus at 1st Stage. The play was written…
AFFIRMATIVE RE-ACTION Don't let the title fool you. Produced last year at Lincoln Center Theater, Admissions arrived too early to address the recent scandal involving illegal offenses in col…
The post <em>Erma Bombeck: At Wit's End</em> at Aurora Theatre appeared first on ARTS ATL.
Anna Washburn's play for the Almeida achieves lift-off in the West End As China and the US arm-wrestle for world-domination in everything from trade to military power, we find ourselves in t…
Play at the Rep is based on life of E.M. Forster.
THE SOUND OF A BRAIN BREAKING Uncertainty is the default drive behind the 95 excruciating minutes of French playwright Florian Zeller's The Father. Seldom has a staged mystery shifted so …
On Friday, Theater Wit announced the Midwest premiere of Joshua Harmon's "Admissions," to be directed by Jeremy Wechsler. In the bleak satire, Bill and Sherri Mason, the very liberal leaders…
The latest from wordsmith Will Eno concerns the limitations of language.
IS IT TOO REALISTIC, OR NOT REALISTIC ENOUGH? Is it smoke and mirrors or a trick of the light? No matter — the fact that nothing urgent is at stake in the 100 minutes of Will Leno's…
Everyone is named Jones in Will Eno's "The Realistic Joneses," which I last saw on Broadway in 2014 in a production starring Michael C. Hall, Marisa Tomei, Tracy Letts and Toni Collette and …