Akram Khan Completely Overhauls 'Giselle'
No more sweet village maiden, caddish duke, or white-clad dancing spirits. "Khan's Giselle has a new score, new décor and costumes, a contemporary setting " migrant laborers in ghostly abandoned factories " and above all a new kind of dancing, which draws on kathak and ballet, on contemporary dance and everyday gesture, on animals and […]
Please log in or create an account to report a problem with this listing.