The Damned, Comédie-Française, Barbican review - slow-burn horrors in devastating images
Ivo van Hove reinvents Visconti's fable about a 1930s German House of Atreus Is the terrifying past of Germany in 1933 also our future? Having had nightmares about the brilliant dystopian TV soap opera Years and Years, which built like all the best of its kind on present fears, I wasn't expecting to be confronted so soon by another pertinent disaster drama.
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