Peter Gynt, National Theatre review - towering protagonist, middle-way production
James McArdle's lead, strong ensemble and David Hare's Ibsen adaptation compel Like Hamlet and both parts of Goethe's Faust, with which it shares the highest peak of poetic drama, Ibsen's Peer Gynt is very long, timeless enough to resonate in a contemporary setting and sufficiently ambiguous in its mythic treatment of the
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