Glass. Kill. Bluebeard. Imp. review - finding fascination in bloodshot fables
Royal Court, LondonCaryl Churchill's four pieces entertainingly combine mythical, mundane and gory Every Caryl Churchill play is an experiment with form. Her latest work comprises four pieces that get progressively longer as the evening continues. But, while each work has its own distinct identity, the unifying factor is the human need for myths, legends and stories and the imminence, as well as the immanence, of dea…