Oona Doherty review " a swaggering, graceful ode to working-class men
The Yard, LondonIn Hope Hunt and the Ascension Into Lazarus, the Northern Irish dancer embodies a group rarely explored in dance A car revs up outside the theatre and Oona Doherty tumbles out of the boot. She launches into the crowd, sizing up, greeting, prowling and spinning, leaving the audience taken aback and reeled in, shouting, "Get in the theatre!" as she runs off. It's the perfect introduction to Doherty's st…