Pinocchio review " frightening delight in a post-puppet world
Tramway, GlasgowTreating Carlo Collodi's allegory with the seriousness it deserves, this sincere and playful production draws a vulnerable boy into the tale's darkest corners Don't be taken in by the opening song. The audience's donkey noises and swaying arms are just a ruse. They're as deceptive as Irene Allan's glamorous Florenzina while she lures poor wooden Pinocchio with a promise of year-round play. No, Dominic…