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CONSTANT STANISLAVSKI (65) by Robert Shuman

Naturalism on the stage is only naturalism when it is justified by the inner experience of the actor. Once naturalism is justified, it either becomes necessary (especially in Tolstoy's plays, for Tolstoy loves things and the details of human life more than all other authors) or it is simply unnoticed, thanks to the inner display […]

SOURCE: stagevoices.com at 5:47pm on January 1, 2020

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