Kiev reveals the murky depths of a family's guilt.
Aguijón's U.S. premiere of Sergio Blanco's Cherry Orchard update is dark and chilly. Anton Chekhov's famous dictum that if a gun is introduced in the first act, it must go off by the second is reimagined in Franco-Uruguayan playwright Sergio Blanco's Kiev in the seemingly innocuous form of a diving board. No one literally goes off the board into the stinking murky waters of the pool on…
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