Defining and defending the gray area: the invisibility of small professional theatre
I've spent nearly three decades working in nominally professional theatre. That is to say non-Equity but (usually) paid, albeit below a living wage, but with enough EMC points to join. Two theatre degrees, worked with some famous people, garnered multiple awards and nominations, co-founded a theatre company in Boston that's still going strong, etc. In […] The post Defining and defending the gray area: the invisibil…
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