Baghdaddy, Royal Court review " Middle-Eastern magic realism
New play about an Iraqi exile and his daughter is strong if a bit messy What is the best way of talking about the Middle East? Should plays take a documentary or verbatim approach, all the better to educate and inform, or is there another path, with includes entertainment, and that magic ingredient called theatricality? At the Royal Court the imaginative way has recently been explored in plays such as Sabrina Mahfouz…
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