Entrancing Exit at ACT by Chad Jones

I think I'd like Canada's The Virtual Stage and Electric Company Theatre to mount every play I never want to see again. I'm convinced they could make it interesting and vital. My interest in Jean-Paul Sartre's No Exit was minimal when I first read it in college and has only waned over the years. The play is a mostly stale pile of ideas and philosophies instead of plot, characters as metaphors rather than people. I…

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