Days of Wine and Roses: The Musical
Reteaming with O'Hara and book writer Craig Lucas for the first time since the 2005 Tony-award-winning "The Light in the Piazza," Guettel's hodgepodge of a score equates jazz with blithe inebriation and opera with soul-crushing regret, a mostly tiresome juxtaposition that includes the gobsmacking discordance of Kirsten drunkenly bebopping around her apartment while vacuuming it. That O'Hara is never less than luminou…
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