Review: Waiting for Movement: News of a Difference in Beth Corning’s ‘Foolish Assumptions’
By GUILHERME MELETTI YAZBEK Upon entering the George Rowland White Theater for CORNINGWORKS’ Foolish Assumptions, the audience is met by a sparse black-box arrangement: two black wooden chairs positioned symmetrically across the stage, each already inhabited by a faint square of light. The image... Read More ›