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23 stories by "Guilherme Yazbek"

Review: When Ballet Makes Us Laugh: Pittsburgh Ballet Theatre’s ‘A Midsummer Night’s Dream’ by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK Before the curtain even rises at the Benedum Center, Pittsburgh Ballet Theatre’s production of A Midsummer Night’s Dream has already begun casting its spe…

SOURCE: onstagepittsburgh.com at 8:17pm on May 16, 2026[SHARE]

Review: Waiting for Movement: News of a Difference in Beth Corning’s ‘Foolish Assumptions’ by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK Upon entering the George Rowland White Theater for CORNINGWORKS’ Foolish Assumptions, the audience is met by a sparse black-box arrangement: two black woode…

SOURCE: onstagepittsburgh.com at 3:47pm on May 15, 2026[SHARE]

Review: Perpetual Permutation: Exhaustion in Jeanine Durning’s ‘The Play’  by Guilherme Yazbek

By GUILHERME YAZBEK Upon entering Attack Theatre for the informal showing of Jeanine Durning’s The Play presented in Pittsburgh this past Friday, one is met by a sparse scenic arrange…

SOURCE: onstagepittsburgh.com at 9:00am on May 11, 2026[SHARE]

Review: Disidentifying on Stage: ‘A Conversation’ in Progress with LaTrea Derome’ by Guilherme Yazbek

By Guilherme Meletti Yazbek Presented over two evenings as part of Kelly Strayhorn Theater’s Freshworks program, A Conversation, by multidisciplinary artist LaTrea Derome, unfolded as …

SOURCE: onstagepittsburgh.com at 3:56pm on May 3, 2026[SHARE]

Review: Feeding Desire: On ‘Little Shop of Horrors’ and the Logic of the Pact by Guilherme Yazbek

By GUILHERME YAZBEK Yesterday, as I made my way to downtown Pittsburgh on the bus, I found myself trying to recall what I remembered about the musical Little Shop of Horrors. Not much, as i…

SOURCE: onstagepittsburgh.com at 2:31pm on April 30, 2026[SHARE]

Review: Where the Earth Meets the Sky: On Grappling and Dancing Otherwise by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK 5, 4, 3, 2, 1—lift off! This is not the much-narrated Apollo 11, nor is it the latest Artemis II mission. In fact, the subject here is not the renewed space ra…

SOURCE: onstagepittsburgh.com at 1:46pm on April 17, 2026[SHARE]

Intensity Without Resolution: Pittsburgh Ballet Theatre’s ‘Spring Mix’  by Guilherme Yazbek

By GUILHEREME MELETTI YAZBEK There is something inherently unstable about a mixed repertory program. Unlike a full-length work, which unfolds through a sustained aesthetic trajectory—devel…

SOURCE: onstagepittsburgh.com at 4:28pm on April 11, 2026[SHARE]

‘Beauty and the Beast’: A Familiar Tale, Reimagined on Broadway at the Benedum by Guilherme Yazbek

Between dazzling spectacle and subtle reinterpretation, this revival reveals how even the most familiar fairy tales continue to evolve alongside the societies that keep retelling them. By GU…

SOURCE: onstagepittsburgh.com at 2:08pm on February 25, 2026[SHARE]

Review: The Optimism of Annie — and Why We’re Still Waiting for Tomorrow  by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK Annie, for me, had long occupied that part of memory where many musicals live: works I know something about, but whose details have faded. Yet as soon as the hou…

SOURCE: onstagepittsburgh.com at 4:41pm on February 21, 2026[SHARE]

Bringing a Tale as Old as Time Back to Pittsburgh, an Interview with Grace Marie Rusnica by Guilherme Yazbek

By GUILHERME YAZBEK A tale as old as time is about to take over Pittsburgh. Disney’s Beauty and the Beast arrives in the city in a dazzling new North American tour—the first major U.S. …

SOURCE: onstagepittsburgh.com at 11:01am on February 13, 2026[SHARE]

Review: Washing Dishes, Making History: Friendship, Labor, and Black Life on Stage at City Theatre by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK Opening nights tend to be pleasant occasions, with warm audiences often made up of members of the creative team, family, and seasoned theatergoers. I have the imp…

SOURCE: onstagepittsburgh.com at 4:37pm on January 24, 2026[SHARE]

Review: ‘Intersections’: Dance as Bodies Writing in Space by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK Last night, at the wonderful Kelly-Strayhorn Theater, Maria Caruso’s Bodiography presented Intersections, a performance that—true to its name—stages enc…

SOURCE: onstagepittsburgh.com at 11:23am on November 23, 2025[SHARE]

Review: The Emotional Force and Contradictions of ‘Next to Normal’ by Guilherme Yazbek

By GUILHERME YAZBEK The Riverfront Theater Company is currently presenting the production that closes its Sapphire Season, celebrating the group’s impressive 65 years. Next to Normal pr…

SOURCE: onstagepittsburgh.com at 4:45pm on November 17, 2025[SHARE]

Review: Pittsburgh Ballet Theatre’s ‘Dracula’ Delivers a Vividly Told Story with Visual Power and Dramatic Performances by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK Last night was Halloween, and arriving at the opulent Benedum Center was an experience in itself. Zombies, witches, and all manner of creatures roamed freely th…

SOURCE: onstagepittsburgh.com at 3:05pm on November 1, 2025[SHARE]

Review: ‘The Rocky Horror Show’ and the Subversive Joy of Queer Theater by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK  Pittsburgh CLO’s production of The Rocky Horror Show, now running at the Greer Cabaret, delivers top-tier entertainment while adding its voice to the fight …

SOURCE: onstagepittsburgh.com at 6:58pm on October 18, 2025[SHARE]

Review: ‘Baquiné’: A Love Letter to Theater and the Trans Art of Becoming by Guilherme Yazbek

By Guilherme Meletti Yazbek This one-act play by multidisciplinary artist and actress Moire del Carmen is the result of a creative process developed during the Freshworks artist residency …

SOURCE: onstagepittsburgh.com at 2:47pm on October 4, 2025[SHARE]

Review: ‘In This Moment’: Texture Contemporary Ballet at Fifteen, Dancing Beyond Boundaries of Style by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK In This Moment celebrates the 15th anniversary of Texture Contemporary Ballet, and the company takes the stage with maturity and strong presence. Under the arti…

SOURCE: onstagepittsburgh.com at 1:46pm on September 20, 2025[SHARE]

‘A Beautiful Noise, The Neil Diamond Musical’ Entertains and Delivers What Broadway Promises by Guilherme Yazbek

Nick Fradiani as ‘Neil – Then’ (center) and ‘The Noise’ in A Beautiful Noise The Neil Diamond Musical – (Image credit Jeremy Daniel) By GUILHERME MELETTI YAZBEK Guilherme is a Br…

SOURCE: onstagepittsburgh.com at 10:36am on September 10, 2025[SHARE]

Review: ‘Campfire Stories’, an Ode to Americanness (Or Dang! There’s marshmallow smeared on my beard!) by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK (Guilherme is a theatre actor, director, and educator currently pursuing a PhD in Theatre and Performance Studies at the University of Pittsburgh.) I felt like an…

SOURCE: onstagepittsburgh.com at 12:36pm on September 6, 2025[SHARE]

Review: ‘Coach and Mrs. Jagoff and the Redemption of the White Man Who Didn’t Know How to Talk About His Feelings’ by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK A community theater production marking Bruce Zewe’s debut as a playwright, with a simple and honest script well worth seeing. Last night, I went to see Coach a…

SOURCE: onstagepittsburgh.com at 2:44pm on August 9, 2025[SHARE]

Review: ‘Speed: The Musical’—A Theatrical Ride You Don’t Want to End! by Guilherme Yazbek

By GUILHERME MELETTI YAZBEK Guilherme is a theater actor, director, and educator specializing in actor training. He is pursuing a PhD in Theatre and Performance Studies at the University of …

SOURCE: onstagepittsburgh.com at 6:03pm on March 28, 2025[SHARE]

REVIEW: ‘Dirty Rotten Scoundrels’ at the South Park Theatre by Guilherme Yazbek

By MARIA SCIULLO Dirty Rotten Scoundrels is your onstage summer cocktail, an unabashedly silly musical by Jeffrey Lane (book) and David Yazbek (music and lyrics). Against a rum-punch-hu…

SOURCE: onstagepittsburgh.com at 10:39am on June 29, 2024[SHARE]

Pittsburgh welcomes back a transcendent ‘Visit’ by Guilherme Yazbek

By Sharon Eberson It wasn’t a raucous crowd that welcomed Broadway back to Pittsburgh Thursday night. But then, the musical they were seeing wasn’t that kind of show. It was an appreciat…

SOURCE: onstagepittsburgh.com at 9:58am on October 29, 2021[SHARE]
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