Good buzz loses its charge, by Joe Dziemianowicz
After seeing Ruhl's previous works <cite>Dead Man's Cell Phone</cite>, <cite>Eurydice</cite>, and <cite>The Clean House</cite>, one expects an element of fantasy. She ends with one as she suggests an answer to the show's central question: To be seen, you have to really see what's around you. Sweet. But it's too lite to be illuminating.
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