Reviewed by Roma Torre

For all you Mamet fans lamenting the closings of <cite>Oleanna</cite> and <cite>Speed The Plow</cite>, the playwright's latest, <cite>Race</cite> is every bit as provocative, profane, and ultimately confounding. And depending how far you're willing to delve into these works, the experience is much the same in each of them. On the surface they're fascinating but dig deep enough and you'll find they're full of holes.

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