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A Restless Mind Returns to 'Macbeth' by KEN BELSON

GONE are the kimonos, the butsudan (a Buddhist altar to the dead) and the references to Edo-era civil wars. In their place are battlefields reminiscent of Vietnam or Cambodia, not Scotland or Japan. And there are also mirrors — lots of them — a device designed to reflect the duality of everyday life.<br /> These are the latest innovations of Japan's best-known classical theater director, Yukio Ninagawa, who is br…

SOURCE: The New York Times Subscription at 5:58pm on May 25, 2015

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