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UNDERWATER BLUES by JOHN LAHR

There are moments in the history of theatre when stagecraft takes a new turn. I like to think that this happened for the American musical last week, when "Caroline, or Change" bushwhacked a path beyond the narrative dead end of the deconstructed, overfreighted musicals of the past thirty years.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015

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