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THEATER REVIEW | 'THE LATE HENRY MOSS'

Confronting the Sins of the Father in a Posthumous Reunion By ANDREA STEVENS</b><br /> Directors who choose the crutch of magical realism when approaching a Sam Shepard play would be better served by recognizing the magic of realism, as Cyndy A. Marion has skillfully done in "The Late Henry Moss."

SOURCE: theater2.nytimes.com at 5:58pm on May 25, 2015

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