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by Thomas Garvey

Last weekend brought the season opener for the Handel and Haydn Society, and the return to our fair city of artistic director Harry Christophers. By now the success that I predicted for Christophers upon his appointment has become a foregone conclusion - ticket sales are at their highest level in a decade, new recordings have been met with lavish praise, and Christophers' contract has been extended through 2016 (mean…

SOURCE: The Hub Review at 12:54pm on September 29, 2011

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