Sort of a Last Word
Matthew Freeman has perhaps the best response I've seen to the handwringing about the parlous state of American playwriting, from Todd London's Outrageous Fortune to this recent lamentation from Terry Teachout, which postulates that, though playwrights are no longer at the center of the cultural discourse, they probably keep at it because they "meet the nicest people."Nice try, Terry, if just a little condescending (…
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