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Scenes from an Execution, Lyttelton, National Theatre, London

"It's death to be understood," declares Galactia, the 16th century artist-heroine of Scenes from an Execution. But the fact remains that this 1986 play is one of Howard Barker's most accessible and stringently witty works - a searching study of the fraught relationship between artist, patron, critic and political culture. 

SOURCE: The Independent at 6:15am on October 5, 2012 ☆ ⚑

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