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Shibari " review by Helen Meany

Peacock, DublinWith a title that refers to the art of Japanese bondage, Gary Duggan's new play looks at contemporary Dublin through a multi-ethnic lens. An abstract set in the form of a bright red cube provides a frame for video projections of Japanese flower arrangements. An inverted kitchen table and chairs can be seen suspended from the ceiling, but Tom Creed's production is no kitchen-sink drama. Instea…

SOURCE: The Guardian at 1:30pm on October 16, 2012

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