Caisley's Happy Is Corrosive Flawed, But Intriguing Comedy About Self-Deception by Bill Hirschman

New Theatre's production of Robert Caisley's sardonically titled Happy is not an evening you "like" watching an "emotional terrorist" spend 80 minutes mercilessly carving away a nebbish's illusion of well-being. But even with a flawed mounting of a script that still needs work, Happy is undeniably an intriguing examination of modern man burying true feelings under a socially-acceptable but life-denying veneer.

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