The Dance of Death, Trafalgar Studio 2, London
It's become a truism that Strindberg's depiction of marital hell in The Dance of Death paved the way for the lacerating, liquor-fuelled slug-fest and the unholy game of "Get the Guests" in Who's Afraid of Virginia Woolf and that there are distinct affinities with the stormy love-hate intensity of the relationship in Private Lives.Â
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