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Making the Blood Flow Onstage in 'House of von Macramé' by Erik Piepenburg

Waldo Warshaw, the special-effects designer for the pop musical "The House of von Macramé," explains where the blood comes from, how fast it's released and how it hits the walls and costumes.

SOURCE: The New York Times <span class="access-badge access-subscription" title="This site may require a subscription.">Subscription</span> at 11:59am on January 18, 2013

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