Suspend This by Rob Weinert-Kendt

Finally caught the Broadway folk phenom Once last night, and I liked it, but what impressed me most was the endearing fragility and directness of its sound; there are some well-chosen reverb effects on some of the vocals, a single moment of dance-club beats piped in, and some slight processing on the fiddle sound (an inevitable byproduct of miking them). Other than that, it doesn't sound much different from what you'…

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