Or Does It Explode?
How big of a deal is it that Baltimore's biggest theater has at its helm a Brit, and not just any Brit but Kwame Kwei-Armah, the London-bred son of Afro-Caribbean immigrants from Grenada? If that unique cultural background, which resembles a sort of diasporic ping-pong, sets Kwei-Armah apart from your average LORT artistic director, it seems just as significant that he also happens to be a playwright who runs a thea…
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