Jerusalem by Cameron Kelsall

As a playwright, Jez Butterworth seems to be keenly interested in the implied. The words that he puts in his characters' mouths are often meant to signify something that's three steps removed from what was actually said. This worked to varying degrees in Butterworth's 2007 play Parlour Song, in which a man tries to understand why his wife begins stealing everyday items from their home and storing them in their shed. …

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