Director Tim Carroll on Making 17th Century-Style Theatrical Magic in Twelfth Night and Richard III
Most directors wouldn’t be happy staging Shakespeare with the limitations imposed by the original Globe Theatre, circa 1600: men playing women; minimal scenery; performances lit by candlelight. Tim Carroll, who spent six years as associate director at London’s re-creation of the Globe, came to embrace the magic in what he calls “looking back to go forwards.” In addition to his Olivier Award-wi…
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