Review: Hello, Dolly!/Drury Lane Theatre by Zach Freeman

"Hello, Dolly!" is a show that more often than not, does not work. To be sure, that title song that Louis Armstrong made a huge hit before the cast album even came out is wonderful. Conceived by producer David Merrick after Thornton Wilder's "The Matchmaker" and assembled by committee, everything about it has always felt […]

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