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From Morning to Midnight " review by Michael Billington

Lyttelton, LondonGeorg Kaiser's 1912 expressionist landmark comes to life thanks to a production full of vitality and a beautifully unsentimental central performanceThe National is clearly going through a Germanic phase. Alongside the hymn to Berlin in Emil and the Detectives, we now have a rare sighting of Georg Kaiser's 1912 expressionist landmark, which explores the dubious temptations of city life. I wouldn't cal…

SOURCE: The Guardian at 7:40am on December 8, 2013

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