Good People, theatre review: Imelda Staunton magnificent as tough single mother

American dramatist David Lindsay-Abaire first sprang to our attention on this side of the Atlantic when, in 2004, Sam Mendes chose to launch a new production company with Fuddy Meers, a relentlessly wacky but soft-centred farce about an amnesiac stroke-victim.  Unimpressed by that, I approached Good People with fairly low expectations, figuring that it would be another of those US hits that are untransportable to …

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