'The Bridges of Madison County' on Broadway by Kevin Daly

Recently, I referred to the 1956 musical The Most Happy Fella, Frank Loesser’s lush romantic masterpiece, as a “grown-up musical for grown-ups.” Much of the current Broadway musical theatre is made up of subversive comedies, by-the-number adaptations of movies, and pre-packaged song catalogs. Sincere romantic musical plays tend to be a tougher sell these days. The most recent example I can think …

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