Broadway and the British Subsidized Theatres
As my readers know, I am not crazy about the theatre's reliance on subsidy, but London Guardian critic Michael Billington makes a persuasive argument for it when reviewing the success of War Horse and Jerusalem in this year's Tony Awards. (h/t You've Cott Mail) While I generally agree with Billington, the paragraph that stands out (with my own emphasis added) is this: What is striking is that both War Horse…
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