THE DANCE OF DEATH (A NOISE WITHIN): 83% " SWEET by Lemonmeter

BITTERSWEET The problem with his acting " and this pertains also to Angelo’s " is that it strives for a relaxed naturalness that often seems artificial. Instead of rising to meet Strindberg’s tragi-comic style, he opts to make his character appealingly relatable for contemporary theatergoers. Johnson is more successful at locating the playwright’s bracingly mercurial […]

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