He's deeply in love with its score. Director Peter Kazaras talks about La boheme by Susan Galbraith

We are sitting in the chic white leather Russian Room at The Kennedy Center during a rehearsal break. Director Peter Kazaras has brought his bound score and throughout our conversation pours through it, reeling off Italian while getting into each character, getting me to look at the score, handling it like it's his Bible. It's […] The post He’s deeply in love with its score. Director Peter Kazaras talks a…

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