The dance of Queequeg: How movement says more than words in 'Moby Dick' by Laura Molzahn

Picture this: A timid, would-be mariner arrives in a crowded New England whaling port - and winds up sharing a bed with a nearly naked, heavily tattooed, oddly coiffed reputed cannibal, the proud owner of a six-and-a-half-foot harpoon.

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