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The Cocktail Party review " TS Eliot's personal demons laid bare by Michael Billington

Print Room at the Coronet, LondonEliot's baroque drawing-room drama presents a couple's faltering relationship as a spiritual trial, echoing his own troubled marriageOnce a popular West End hit, TS Eliot's 1949 play now looks a bit of a baroque relic in its attempt to explore spiritual issues in the framework of a drawing-room comedy. But, for all the high-toned references to Euripides's Alcestis and the Orpheus and …

SOURCE: The Guardian at 9:53am on September 24, 2015

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